Martin 000-18 (USED, 1953)

Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
Martin 000-18 (USED, 1953)
6-String Acoustic
Vintage

Martin 000-18 (USED, 1953)

Regular price $0.00
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Martins from 1953 are often sought after for their "mystery" (i.e. non-Sitka) spruce tops; and this mysterious 000-18 would make anyone in the market for a small-bodied vintage guitar grin from ear to ear. The golden color of the top wood (as opposed to the orange-brown tone Sitka typically develops) and the punchy, crisp sound of this guitar have us agreeing with an esteemed colleague: there's no mystery about it, it's Red Spruce. This 000-18 is in very good condition; and it's original except for one tuning machine. There's lots of playwear evident, but no cracks and a solid structure. It's had a well-executed neck reset at some point in the past, and sports new fret wire. The setup is ideal for a mix of styles, measuring right at 3/32" high on top of the 12th fret. This guitar has a lovely, warm, and inviting voice; and the combination of Red Spruce top and straight bracing provides extra punch and projection for players who like to dig in assertively with a flatpick. Priced with Cedar Creek hard case (faux alligator exterior, orange interior). 

  • Mahogany back & sides
  • Red Spruce (Adirondack Spruce) top
  • Brazilian Rosewood fingerboard & bridge (original)
  • Original bridge plate
  • New frets, one replaced tuner
  • 1 11/16" Nut width
  • 24.9" Scale
  • 2 1/8" String spacing
  • Cedar Creek HSC

About

Sarah Ryan

Sarah runs a painting and design studio based in Malletts Bay, Vermont, nestled near the Winooski River. Her work explores the intersection of fine art and functional design, often through collaborative projects with some of our favorite independent builders like Creston and Iris.

Samples of Sarah's work

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