Tim Bram Tribute Archtop #63 Honeyburst

Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
Tim Bram Tribute Archtop
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Tim Bram Tribute Archtop #63 Honeyburst

Regular price $7,800.00
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Body

European Spruce/Curly Maple
Dimensions
2 1/2" x 14 1/2"
Pickup
Kent Armstrong
Scale
25"

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There are moments when even the most diehard Tele fan has to admit - nothing beats a great archtop.

There’s no denying it - more and more jazz guitarists are embracing smaller, more approachable guitars, with the Fender Telecaster often leading the charge. Players like Julian Lage and Bill Frisell have shown just how expressive and nuanced these instruments can be in a jazz context, and the trend shows no sign of slowing down.

Still, there are times when nothing beats the sound of a great archtop, whether it’s for the gig, a recording session, or the sheer joy of playing one. But let’s be honest: traditional archtops, much like big dreadnought acoustics, can be a lot to wrangle sometimes. From the body size to the string tension, they’re not always the most forgiving instruments to live with day-to-day.

That’s where Tim Bram comes in. Working out of Pasadena, MD, Tim has created something genuinely exciting: a Tele-sized archtop that blends the feel and comfort of a modern electric with the resonance, warmth, and tonal response of a classic jazz box. The results are stunning - visually, sonically, and most importantly, in how they play. The smaller footprint makes them incredibly approachable, and the sound is all there: full, articulate, and rich with character.

We don’t see many of these come through each year, so if the concept is speaking your language, now’s the time.


Body

Top
Hand carved ( and graduated ) European spruce top (x braced)
Body
Hand carved seasoned curly maple back/sides
Size
2 1/2" sides | 14 1/2” lower bout
Finish
Nitrocellulose lacquer
Color
Honeyburst
Binding
White ABS Multi-ply

Hardware

Misc
Macassar Ebony Bridge/Tailpiece/Finger Rest
Pickup
Kent Armstrong Johnny Smith
Tuners
Hipshot classic open back
Strings
Martin Retro 12-54

Neck

Neck
Seasoned maple
Fretboard
Macassar Ebony
Frets
Silver nickel
Scale Length
25"
Nut
1 11/16"
Tuners
Hipshot classic open back
Binding
White ABS Multi-ply
Inlays
Abalone

Other

Serial Number
63
Case
Custom made Cedar Creek hardshell

Brand Story

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