Grez Guitars Mendocino Baritone Candy Apple Red

Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red
Grez Guitars Mendocino Baritone Candy Apple Red

Grez Guitars Mendocino Baritone Candy Apple Red

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California-based Barry Grzebik is a bit of a modern renaissance man. Prior to guitar building, Barry was Director of Engineering for Apogee Sound where he designed, and oversaw the design, of everything from rack-mount digital signal processors to power amplifiers and critically acclaimed professional loudspeakers. His guitar company also partners with the Redwood Forest Foundation, Inc. which replants Redwood trees for each guitar sold. Suffice it to say, the man knows a thing or two about quality, sustainability, resonance, and sound. 

 

Fortunately for us, Barry's lifelong love of guitars, woodworking, and product design led him to guitar making and the creation of the Mendocino model - and in this case, a baritone version. The basic idea was to create a guitar that fits in the ES-335 world, but is lighter and has more depth of tone - somewhat between a great ES-335 and an archtop. 

To help achieve this goal, a 1-piece Honduran mahogany body is hollowed out (with the exception of a narrow center block) and topped with a 500-700 year old piece reclaimed Redwood, also 1-piece.

The results are spectacular - like the 6-string Mendocino, the baritone model is incredibly lightweight, balanced, and very alive and resonant (no surprise here given Barry's background). It's beautifully made - and finished in a stunning Candy Apple Red - has a slightly chunky, late-50's Gibson-esq carve with a slinky overall feel, and sounds amazing. 

Speaking of tones, the Lollar Goldfoils are a perfect match for this guitar. Open, airy, killer chime...clean tones are a no-brainer. Plugged into a Victoria Silver Sonic, there's both an articulation and fatness to the tone that reminds us of a Jerry Jones or vintage Danelectro baritone, but with a slightly more open/chimey tone. With some gain? Classic low-fi, deep bass swampiness that's incredibly fun and inspiring.

If you're looking for something new that's both beautiful, alive, a blast to play - and - made by a luthier with an eye towards sustainability? You need to check out the award-winning Mendocino. 

  • 13.25" semi-hollow body, 1.75" depth 
  • 1-piece old-growth Redwood top
  • 1-piece Honduran mahogany body & neck 
  • Macassar ebony fretboard, MOP dots
  • 28.5" scale length 
  • EVO Gold jumbo frets
  • Lollar Goldfoil pickups 
  • TonePros AVR2 bridge 
  • Grez tail piece, 2 gauge stainless steel, polished
  • Nitro finish 
  • Hardshell Case
  • 5lbs 5oz
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