Martin 000-18 1937 Authentic (USED, 2006)

Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
Martin 000-18 1937 Authentic (USED, 2006)
6-String Acoustic
Used

Martin 000-18 1937 Authentic (USED, 2006)

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Very clean 2006 Martin 000-18 Authentic just in for consignment! The early Authentics are prized for their powerful, open tone and easy responsiveness -- and this one is no exception to the rule. Excellent used condition, no significant blemishes, and ideal setup geometry & neck angle (this one looks like it hasn't moved at all from its factory setup). The voice is very warm, with great depth, and that aforementioned old-world power. Priced with its original hard case. 

  • Mahogany back & sides
  • Adirondack Spruce top
  • Ebony bridge & fingerboard
  • Hide Glue
  • Thin nitrocellulose lacquer finish
  • Authentic bracing profile (forward shifted X, scalloped)
  • 24.9" Scale length
  • 1 3/4" Nut width
  • 2 5/16" String spacing
  • Original hard case
About

Sarah Ryan

Sarah runs a painting and design studio based in Malletts Bay, Vermont, nestled near the Winooski River. Her work explores the intersection of fine art and functional design, often through collaborative projects with some of our favorite independent builders like Creston and Iris.
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Samples of Sarah's work

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