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Fender Jazzmaster, Sunburst L40689 (1965)

Offset · Single Coils Pickups · Vintage

Price
$8,500.00
Free Shipping Continental U.S. Only
In stock · Ready to ship
DOCUMENTED HONESTLYEvery repair, every change
VETTED ON THE BENCHBefore it's listed
SINCE 1968Still independent
1965 Fender Jazzmaster in original Sunburst finish just into the shop!

First impressions aren't always anything, but they sure carry a lot if weight when it comes to vintage guitars. This is one of those Jazzmasters that you pick up, plug in, and go "yea, this is it". This '65 hits the mark.

This Summer of '65 offset is classic mid 60s in looks, vibe, and sound, but for whatever reason it just seems to have a little extra going on. The pickups are really the star(s) of the show - just the perfect mix of jangle and fidelity with a great bouncy response that makes these guitars so fun and inspiring to play. The great ones can really turn a Jazzmaster into a much more formidable electric than many folks are lead to believe.

It's also one of the earliest we've seen with its factory wide frets! Set into a rich, dark Rosewood fingerboard, Fender was just getting into offering a larger fretwire than what they'd been using for nearly 15 years. A foreshadowing of sorts? Who knows, really. Fender did have a sense of what the guitar-buying public was looking for, though. Gibson was using a much larger fretwire by this point, nearly 6 years into their shift from smaller fretwire. The point is- it does impact the feel of a vintage Fender, and we like to think it's quite positive. This JM didn't go without playtime, so the crown of the frets are a little lower. It's a nice balance between having bigger wire under your fingers but still getting nice contact with the board. We're loving it!

The 3-Tone Sunburst has aged beautifully, with some nice natural patina, fading, and contact wear. All without losing its true character, it remains quite vibrant and striking against the original celluloid pickguard and aforementioned dark fingerboard. The older white amp knobs that got added at some point years back look right at home on this one, too.

The guitar had its tone pot changed out in 1983 along with those knobs, but otherwise remains stock throughout. Our repair staff dialed in the setup, restrung it with 11s and installed a proper shim in the neck pocket to maximize setup geometry. We also replaced the dried up pickup adjustment foam to get those great pickups balanced out properly. It's playing and feeling as good as any vintage Jazzmaster we've had in inventory, and arguably one of the more impressive examples we've had for ANY 1960s Jazzmaster.
Condition: Vintage. Fully inspected and set up by TME staff before it ships or leaves the showroom.
Style Solidbody Offset
Body Alder
Finish Nitrocellulose
Color Sunburst
Pickups Original | 7.34k Neck / 7.17k Bridge
Electronics Original Volume Pot. Replaced Tone Pot / Original Rhythm Circuit
Controls Lead Circuit: Volume / Tone / Rhythm Circuit: Volume / Tone
Bridge Original
Tuners Original Kluson
Pickguard Original
Knobs Vintage Witch Hat
Neck Maple | 4AUG65B Neck Stamp
Carve Oval C .82-.97"
Fingerboard Rosewood Laminate
Radius 7.25"
Inlays Dots
Frets Original Wide Frets
Nut Original
Scale Length 25 1/2"
Serial # L40689
Weight 8lbs 2oz
Case Original HSC

Every instrument is thoroughly checked and set up before shipping fully insured via UPS with tracking to your door. We reuse boxes and materials to cut waste when they meet our protection standard.

Inspect it, play it, and if it isn't right, contact us within 48 hours of delivery to arrange a return or one-time exchange. Returns are subject to a 5% restocking fee, and the buyer covers shipping both ways.

Preserving The Past. Played Into The Future.
Whether you're chasing a tone, honoring the history, or building a collection, we seek out the finest vintage instruments and, when needed, perform tasteful restoration to ensure they'll play beautifully for decades to come.
Fender Jazzmaster, Sunburst L40689 (1965)
$8,500.00
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Glenn Nichols, Repairs & Restorations

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When restoration is needed, we approach it with respect and restraint - always in service of preserving the instrument’s integrity and extending its musical life for decades to come.

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