
Fender 6G15 Reverb Unit (1962)
Vintage
Fender's Reverb Unit is as ubiquitous as their amplifiers, delivering an iconic sound that has reverberated through decades of popular music
This 1962 Fender 6G15 Reverb Unit represents the second iteration of Leo's famed outboard reverb. Initially offered to accompany the Blonde Fender amps like the Bassman, Bandmaster, Twin, and Tremolux, it followed through all of the production changes in the 1960s without really changing itself.These units often have a more lush and swirly tone compared to the reverb circuitry you'll find in the 'Blackface' era combos of the day. Paired up with a Tweed, Brown, or Blonde non-reverb Fender, and you've got some of the best tones available from Fender's Golden Era. This Brown tolexed version was built in mid 1962 and has survived in wonderful original condition. It's had its handle replaced and a recent requisite service, but otherwise remains original. It even includes its original Victoria slipcover!
**Please Note: All vintage amplifiers and effects - regardless of service history - contain electronic components that will eventually require replacement or repair. This is often unpredictable and should be expected as a vintage amplifier owner. We are not responsible for additional service upon receipt. We also do not guarantee tube life.**
| Controls | Dwell | Mixer | Tone |
| Switches | Power On/Off |
| Inputs | 1 |
| Outputs | 1 |
| General | Finger-Jointed Pine cabinet / Tube chart stamp 'LH' | August 1962 |
| Covering | Brown Tolex |
| Tubes | 6K6 | 12AT7 | 7025/12AX7 |
Every instrument is thoroughly checked and set up before shipping fully insured via UPS with tracking to your door. We reuse boxes and materials to cut waste when they meet our protection standard.
Inspect it, play it, and if it isn't right, contact us within 48 hours of delivery to arrange a return or one-time exchange. Returns are subject to a 5% restocking fee, and the buyer covers shipping both ways.
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When restoration is needed, we approach it with respect and restraint - always in service of preserving the instrument’s integrity and extending its musical life for decades to come.
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