"This is a guitar for electric players who don’t want to be a stereotype." ~ Andy Powers

The body is slim, hollow and fully enclosed. Inside, it contains two soundposts, similar to the soundpost in a violin, that allow the front and back to move together, increasing resonance and sustain while reducing feedback.

The colorful knobs (and trem arm cap) are shop-crafted in-house from layers of resin, which originally was a byproduct of the surfboard glassing process. Because of this, no two resin knobs look exactly alike.

The trem/vibrato system features a “camshaft tailpiece,” which Andy calls a CamTail for short. It’s machined in-house and compensates for the string characteristics so the strings stay in tune as the pitch changes. The CamTail also contains a locking mechanism that stops the vibrato back at its normal pitch and allows the player to bend notes without pitch droop. It can be easily adjusted to allow for a full floating vibrato.

Andy's original design PF42 pickups use a “partial Faraday” cage made with 42-gauge wire.

An asymmetrical fingerboard radius - which is slightly flatter on the treble side for easy, better- sounding string bends.
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So, how do these technical specs add up? What does the A-Type feel and sound like? In a word: incredible. This is a lightweight, perfectly balanced guitar with a loud acoustic voice that truly achieves what Andy set out to achieve - it's inspiring, really musical (read: a blast to play), and sounds fantastic whether clean or overdriven.

Highlights? Ease of play, balanced/touch sensitive/rewarding/inspiring tones, and the CamTail! To be able to play a chord and dip the bar down a whole step - while keeping the chord in tune - is a remarkable experience as a player.