That moment when you play the first chord and realize, "okay, I finally understand what all the fuss is about."

No two are the same. Each has its own unique life history. Some have graced festival stages, been worked hard, recorded, their voices imprinted on our memories. Others have been squirreled away, so much potential energy waiting years to be heard. Most of the time, the life journey falls somewhere in between.

This F-5, approved and signed by Lloyd Loar on January 12, 1923, has the distinct benefit of having been well played. The top and back plates have retained their arch, and the instrument sets up beautifully. Tuners we believe to be original (albeit engraved rectangular plates with scalloped ends, a la Handel / 'teens Gibson). The back center seam has been reglued and cleated; headstock binding repaired in two small spots. Expertly replaced treble-side headstock scroll and body binding. Refretted, with replacement bridge saddle.

All that said, you won't be thinking about condition once you hear it. This is a great one, folks. It boasts exceptionally strong projection, plump single notes, quintessential chop, and a fully satisfying voice throughout. Everyone who has gotten a chance to play it has come away with that "aha" look on their face. This is what it is all about!