Schoenberg Soloist Brazilian (USED, 1988)

Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Schoenberg Soloist Brazilian (USED, 1988)
Used

Schoenberg Soloist Brazilian (USED, 1988)

Prix régulier $10,268.00
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Nut Width

1 3/4"
Neck Carve
broad V-shape
Scale Length
25.4"
Serial Number
480789

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This Schoenberg Soloist is from the first incarnation of OM's built through a unique collaboration between C.F. Martin and the Schoenberg head luthier at the time, Dana Bourgeois. The goal was to make an OM that incorporated the best of modern and vintage features, the cutaway being an addition that many players of the time were craving. Schoenberg's were assembled and finished in the Martin factory after having the key components constructed and, most importantly, voiced by Dana Bourgeois (and later T.J. Thompson).

This Brazilian Rosewood Soloist has all of the characteristics that made Schoenberg's so coveted: a very dry, brilliant and woody tone that is reminiscent of older Martins. They exhibit exceptional projection and responsiveness while offering a subtle harmonic overtone series. While no respectable luthier would agree to the claim of any modern guitar being as good as an original 30's OM, Schoenberg's were, and still are, the rare excpetion that come damn close.

The condition on this one is very good. There is a fair amount of finish crazing over the top and a very visible, but stable, impact blem' near the upper treble bout. The neck set and playability are excellent with ample saddle height remaining for anyone wishing to have lower than standard action. Fretwear is minimal. Priced with original Harptone red alligator hard shell case.


Materials

Top
Spruce (poss. Engelmann)top
Back & Sides
Brazilian Rosewood
Neck
Mahogany
Fingerboard
Ebony
Bridge
Ebony
Nut & Saddle
Bone
Binding
Rosewood
Tuners
Gold closed-back Kluson-style
Bracing
Scalloped (Forward shifted)
Construction
Modern Adhesive
Finish
Nitrocellulose Lacquer

Neck Specs

Carve
broad V
Nut Width
1 3/4"
String Spacing
2 3/8"
Scale Length
25.4"
Truss Rod
Adjustable
Inlays
Sotted Diamonds
Headstock
Rosewood veneer w/ logo in gold script.

Other

Serial #
480789
Case
Harptone Hardshell

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